Discussion questions The Good thief

The Good Thief
by Hannah Tinti

List Price: $15.00
Pages: 352
Format: Paperback
ISBN: 9780385337465
Publisher: The Dial Press





About This Book

A tantalizing blend of brilliant ingenuity and spooky, gothic twists, The Good Thief tells the mesmerizing story of a child named Ren, whose past is a mystery and whose future lies in the hands of a skilled con artist. Abandoned as an infant at St. Anthony’s Orphanage, Ren was steeped in Catholic ritual and admonitions against sin. By the time he is twelve years old, several of the other boys have been adopted, but prospects are slim for Ren; he is missing his left hand, an injury experienced early on, even before he arrived at St. Anthony’s. When Benjamin Nab arrives, claiming to be Ren’s long-lost brother, he transforms this mark of misfortune into a lucrative scam, whisking Ren into the world of scenic New England farmland and towns populated by trusting villagers: a prime location for a gritty underbelly of grave robbing and other dark trades. But as their hardscrabble adventures unfold, Ren begins to suspect that this fast-talking charlatan holds the key to one important truth: who Ren really is, and whether he can be reunited with the loving mother he has always dreamed of.

The questions and discussion topics that follow are intended to enhance your reading of Hannah Tinti’s The Good Thief. We hope they will enrich your experience of this extraordinary novel.


1. How do the time period and the locale shape the novel? How did the needy and the sly fare in rural America before the twentieth century? What historical aspects of The Good Thief surprised you the most?

2. What were your impressions of St. Anthony’s? What were the motivations of Father John and the brothers who cared for Ren there? Were they cruel, or simply realistic?

3. Did you believe the story Benjamin told when he took Ren from St. Anthony’s? Would you have fallen for the scams they ran? What vulnerabilities did they prey on? What is the key to being a successful scoundrel?

4. What did Lives of the Saints mean to Ren before and after he left St. Anthony’s? How did his feelings about religion change throughout the novel? How did his early lessons in sin, penance, and ritual serve him in the real world?

5. What enabled Benjamin and Tom to engage in grave robbing without feeling repulsed? Can their practical logic be justified? What is the emotional value of the possessions of the dead?

6. In chapter fourteen, Doctor Milton lets Ren see his scarred skin under a microscope. What changes for Ren in that encounter? How did his injury affect his life in different ways throughout the novel? How did you react when you discovered how his hand had been severed?

7. The Harelip, Mrs. Sands and Sister Agnes all seem powerful and skilled in different ways, but don’t fit traditional female archetypes of wives or mothers. How are women represented in The Good Thief? How do these women affect Ren’s story?

8. In what ways is Ren wiser than Brom and Ichy? What makes him better prepared for life on the lam?

9. What does Dolly teach Ren about himself, and about the nature of death and darkness in the world? What effect does Ren have on Dolly?

10. Discuss the images Ren had created of an ideal mother as someone beautiful who could provide comfort, a warm bed, and good cooking. How does Sister Agnes help him cope with the reality of his mother? Should he have been sheltered from knowing the truth? How does Mrs. Sands fulfill or not fulfill the role of mother for Ren?

11. What is the source of McGinty’s sadism and bitterness? What did it take to defeat him?

12. Early in the novel, Benjamin and Tom discover Ren’s ease with trickery and declare that he is already one of them. Did he possess these skills innately, or were they the result of having to survive at St. Anthony’s? How much control over his destiny did Ren have? Did nature or nurture have the greater role in his approach to the world?

13. Discuss the title. What makes a good thief --- either in terms of being a noble thief, or a skillful one? Can this be applied to the epigraph from Emerson, describing the rewards available to a good “trapper”? And how does this relate to the biblical story of the “good thief,” who was crucified with Jesus Christ on Golgotha?

14. What innovative approaches to storytelling appear in both The Good Thief and Hannah Tinti’s short-fiction collection, Animal Crackers?


"Hannah Tinti's novel The Good Thief is wry, wise, deeply felt and ingeniously plotted, a wonderful, riveting spin on the tale of abandoned boys gone bad, or good, or both. Move over Huck Finn and Oliver Twist, make room for Ren, The Good Thief's one handed but quick fingered and witted orphan, thief, hero—I loved him, and his book."
— Brock Clarke, author of An Arsonist's Guide to Writers' Homes in New England


"The Good Thief is a dark, Dickensian fable filled with enough surprises to keep a reader turning pages long past midnight. Irresistibly strange, and just plain irresistible."
— Karl Iagnemma


"Hannah Tinti has written a lighting strike of a novel—beautiful and haunting and ever so bright. She is a 21st century Robert Louis Stevenson, an adventuress who lays bare her character's hearts with a precision and a fearlessness that will leave you shaken."
— Junot Diaz, winner of the Pulitzer Prize and the National Book Critic’s Circle Award for The Brief Wondrous Life of Oscar Wao


"The Good Thief is a book that deserves comparison to the work of classic authors like Robert Louis Stevenson and Charles Dickens—not only because it's a remarkable piece of work, but also because it reminded me of what it used to be like, when I was a kid, to be truly engrossed in a book. You lift your head and hours have passed, and you realize that you've been utterly drawn into a world that is as vivid and real as your own. A masterful achievement."
—Dan Chaon, author of National Book Award finalist Among the Missing, and You Remind Me of Me

How to Write Historical Fiction

How to Write Historical Fiction
By an eHow Contributor

Write Historical Fiction
You have a great idea for a story, but it's set in the Civil War, or perhaps during the Renaissance. The result is a work of historical fiction. Historical fiction mixes fact with fiction to make an historical event, person or place more interesting to readers. It takes research and patience to write historical fiction, but once you have the facts straight, let your imagination soar.

Read more: How to Write Historical Fiction | eHow.com http://www.ehow.com/how_2070437_write-historical-fiction.html#ixzz1FRj7rqyz

Instructions
1. 1
Pick a topic. Choose an historical event, person or place, or perhaps all three, that you wish to write about. Create your story line around that topic.
2. 2
Conduct research into the historical elements of your story. Go to your local library or search online. Make note of language, style of dress, types of transportation and other details about the time period or era.
3. 3
Read other works of historical fiction. See what's been done before, and how. Don't plagiarize, but get a sense of how historical fiction is written.
4. 4
Create an outline of your story while doing your research. Form the story in your mind, create characters and scenes, but hold off on writing until you are as familiar with the time era in which the story takes place as you can possibly be.
5. 5
Write your story. Merge fact and fiction. Bring emotion to the factual aspects of the history depicted in the story. However, never lose the importance of the facts. Use just enough information to stress the historical time period, but let the characters and story rule

Read more: How to Write Historical Fiction | eHow.com http://www.ehow.com/how_2070437_write-historical-fiction.html#ixzz1FRiOBSUq