Sestinas
Sestinas
Elizabeth Bishop's Sestina
www.poemhunter.com/poem/sestina/
2
CHOOSE
YOUR 6 WORDS. When deciding on your 6 words, focus on versatility in
terms of parts of speech, meaning, and usage. For example, the word
"hand" can be a verb or a noun (as in the sentences "Hand me the towel"
and "We shook hands," respectively.) "Hand" can be used in idioms
(e.g. give me a hand, on the other hand). And finally, "hand" just has
a plethora of definitions (e.g. a poker player's cards, a worker).
3
REVIEW
& REVISE YOUR 6 WORDS. Are all of your words nouns? Are they all
verbs? Do they seem to point to one specific subject matter you're
planning to write about? If so, I'd suggest diversifying. Throw some
adjectives in there; open a magazine or book, put your finger on the
page, and write whatever word it lands on; or add a word that seems
completely unrelated to the others.
4
ORGANIZE.
Although it might seem tedious to organize ahead of time, it will
save you from the grief that comes when realizing you've finally
perfected your sestina, but you accidentally messed up the pattern in
the third stanza, making the patterns in stanzas 4, 5, 6, and 7, also
incorrect. So, on a piece of paper, make 3 columns. The first column
is for the number pattern, the second is for the end-words, and the
third is for your lines of poetry. If you are staring at a blank computer
screen, make a table with 3 columns and 7 rows. Go to your TABLE
panel or dropdown, click "Insert Table," and enter the number or
columns and rows. (READ STEP 5 before writing the end-words down.)
5
WRITE.
There are many ways to start a sestina, so experiment and find what is
right for you. As for me, I like starting the first stanza without a
particular order in mind for my 6 words. I just make sure one of the 6
words is at the end of each line. Only after writing that first stanza
do I fill in my end-word column.
6
USE
OTHER DEVICES. Don't let the end-words fool you; they are not
necessarily the most important part of the sestina. Don't be afraid to
repeat other words, too. This can actually draw some attention away
from the end-words, adding a different type of rhythm and also warding
off the dreaded monotony that can result from a sestina gone wrong.
Enjambment can also create this effect.
7
BE
FLEXIBLE. If you are accustomed to writing free verse, the sestina's
constraints may seem to take away from what you want to say or what
you're trying to do in your poem. However, I suggest that instead of
not quite writing the poem you wanted to write, allow yourself to write
a different poem than what you'd imagined when you began. There are
many surprises to be found when writing in forms.
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