Tuesday, October 28, 2014

House on Mango Street/Vignettes

AGENDA:

BELL WORK:  Work on Character List for the stories up to pg. 48 in House on Mango Street. You may work with a partner, but keep a list for yourself.  There will be a quiz on the characters and their relationship to Esperanza.

In your reading groups, read aloud pg. 49-61 (4 stories) in House on Mango Street.
Add these characters to your list.

Discuss these questions after you read each story and post a comment for your reading group.

"Hips"

1. What are the girls doing as they talk about hips? What are hips good for? What does their conversation tell you about their ages?

"The First Job"


Why does this story have a misleading title? What happens to Esperanza on her first day at work? What does this episode tell you about her family and their expectations?

"Papa Who Wakes Up Tired in the Dark"

Why does Esperanza's father cry? How does his crying make her feel?

"Born Bad"

What happens to Aunt Lupe? Why does Esperanza believe she deserves to go to hell? What special relationship did Esperanza have with her aunt?

Focus on Themes, Mood, Setting, and Conflict.  How will your stories connect and convey theme, mood, setting and conflict?

Major Themes
Maturity
 

The main theme of the book is Esperanza’s increasing maturity. It is in evidence throughout the book, as Esperanza talks to older female characters, trying to determine who her role models will be, or as she overcomes her insecurities and learns about her own strengths and weaknesses.

Home and Identity

Throughout the book, Esperanza attaches meaning to where she lives: she takes it personally as an extension of herself. Thus, the fact that she is unhappy and ashamed at her Mango Street house is a major point of contention in the book, and her dreams of another home parallel her dreams of becoming who she wants to be.


Minor Theme Love

Though it is not discussed directly in the book, love of different kinds, between different characters, holds many relationships together. Family love is contrasted with romantic love, and mistaken ideas about what love is (particularly as concern Marin and Sally) are prominent in the book.



MOOD

The mood of the story is highly influenced by Esperanza’s own mood, and the mood of the story is uneven to reflect Esperanza’s uneven moods. When she is happy, as in "Our Good Day," the mood is joyous, relaxed, and untroubled. When she is frightened or hurt, as in "Red Clowns," the mood reflects that. Esperanza has a complex personality, so the mood ranges from childish temper tantrums to solemn thoughtfulness. In general, this indicates Esperanza’s place in the world: intelligent, but not yet fully grown up. The mood is childish and adult by turns.

SETTING

The setting of the story is a poor Hispanic neighborhood in Chicago. Judging from the cars people drive, it is probably the 1960’s. The neighborhood is very close-knit, full of immigrants who do not speak English well and rarely leave the neighborhood.

Conflict

Protagonist / Antagonist

Esperanza, the protagonist, has no real antagonist except, perhaps, herself. The story concerns her journey to maturity (bildungsroman, "coming of age"). Conflicts in the story often arise because of Esperanza’s misunderstanding of herself. For example, she makes fun of her sick aunt, then realizes how much she values her aunt’s friendship, and feels terrible about what she has done. Her shyness is another aspect of her immaturity that forces conflict upon her: she wants to be like bolder girls she knows, who have secret meetings with boys, but does not have the courage. Additionally, Esperanza must mature enough to discover her own identity, and understand how the Mango Street she hates so much fits into her life.


WRITING:  Period 4
Continue working on your own stories.

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